Radio Orphans Podcast 419

you must be heard you must be understood and you must be pleased

greetings and welcome to episode 419 of the radio orphans podcast i am johnny and i'm phineas and

we are here to bring you original independent music for your listening pleasure that's right

we're gonna do it again here like we always have done right that's right seven songs uninterrupted

for your listening enjoyment yeah not a lot of babbling just a lot of music no you don't have

to listen to our suck you know right uh we had one artist contact us this week yeah at least

that's what shifted down through yeah yeah yeah through the emails through the emails we get lots

of check out our videos and check out this but that's not really giving us a song to put in a

podcast so sometimes we just get stuck with what we actually receive that's right not that we're

stuck with it no no we're not stuck with it but we were stuck with trying to find out

where the heck she was from but we managed we managed yep yep we know the secrets don't we do

of the internet google fool the artist we're talking about here happy to bring her music

that's right we're gonna kick off with this we are that's how much we like it it's vanessa chican

okay fair enough i'll go with that pronunciation if we murdered it she can let us know that's right

and it's her song i like to dance

i like to dance you know how i feel trying to look different forget the old in with the new

running all night

summer is here all day long with my friends kissing me in the pool feeling good drinking my

iced tea with a great imagination with my baby by my side

i like to dance you know how i feel trying to look different forget the old in with the new

running all night

summer is here all day long with my friends kissing me in the pool feeling good drinking my

iced tea with a great imagination with my baby by my side

i like to dance you know how i feel trying to look different forget the old in with the new

running all night

summer is here all day long with my friends kissing me in the pool feeling good drinking my iced tea with a great imagination with my baby by my side

I like to dance, you know how I feel, try to look different, forget the old, in with

the new, run it all night.

Summer is here all day long, with my friends, kissing me in the pool, feeling good, drinking

my iced tea, with a great imagination, with my baby by my side.

Maybe I'm mistaken, living in the breeze, adorned and isolated.

And I've got you dialed in, calibrated so, I'm lubricating, diluting, diluting, diluting,

diluting, diluting, diluting.

I'm insulating, I'm oscillating.

Somebody cries, it's a push and pull game, so we push and pull, caught up in a crush

of hands.

Somebody cries, move and camel, so we're built to sound.

A real blistering melody.

Maybe I'm mistaken, fading in the fray, my student is connected.

And now you've got me cornered, inflated so, I'm quarantined and desolate.

You're originating.

Your marginating.

Somebody cries, it's a push and pull game, so we push and pull, caught up in a crush

of hands.

Somebody cries, move and camel, so we're built to sound.

. . . . . . . . . . . . . . . . . . . . . . . . . . VO fonctionne comme ça Arbeits à méd fermentais الفouillant, If someone cries he moves and count them out, he will be noticed.

Federalist Melody

Push

Insinuate

Cricket

While we're tall and blue

Counterman

Replicated

We can blame no one

Somebody cries

To push and pull again

So we push and pull

Caught up in the crush of it

Somebody cries

Move and countermove

So we're built to song

Federalist Melody

Push

Come on in

Have a seat

Come talk to me

And where you from

And what you do

And what you see

Yeah, well, who are you

And what's your name

Yeah, I'll take you all

Just the same

Yeah, you live for money

Love for fame

And if it doesn't work

Well, who's to blame

Well, it's still a game

Call it life

It ends up just the same

You look at me

Very nice

And you know I'm through

So come on in

How'd you go

You know what to do

So you think you found another way

Yeah, I told you something yesterday

It's a lie, so give one day away

And if it doesn't work, well, stay away for another day

Gonna have the next time, just the same

Just the same

So

Run, run home, back to your town

Don't you come, you better run, I'll see you around

Yeah, well, who are you and what's your name?

Yeah, I'll take you all just the same

Yeah, you live for money, live for fame

And if it doesn't work, well, who's to blame?

For the silly game, for the love that ends up just the same

Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah

Just the same

Welcome to the world of the great divide

Where the rich get rich, the poor stay poor all the time

They call us Generation E

I care a little, I care enough

Now leave me be with all that stuff

It's not easy stepping out of the line

But you know it happens more all of the time

If you don't know care, you don't know fair

I know we're not so different

You and I can make it better

All the time

I've seen my sisters, sisters holding hands

They wanna marry, they wanna take a stand

You're gonna tell them what they cannot do

And all they want is to have the same

Same rights as you

It's not easy stepping out of the line

But you know it happens more all of the time

If you don't know love, you don't know life

I know we're not so different

You and I can make it better

And help to cross that great divide

I see my brother, brother on a broken street

Looking for nothing but a little bit of something to feed

A family card in the middle of another war

Paid for by someone that doesn't know where that dollar went

Time to step out, step out of the line

You know it happens more all of the time

It's not too late to give up hate

I know we're not so different

You and I can make it better

And help to cross that great divide

Ooh

If you don't know love, you don't know life

I know we're not so different

You and I can make it better

And help to Christ our great divine

Yeah

Stopping by your place

Stepping in before there's light on the floor

Walking on your face

Facing your mask in above and landing far

I feel a fire

Let's get you somewhere where it's safe to go on

I feel a fire

You act so tough but you're so soft

It's only you for the fire

Keeping you stuck with the place of desire

Higher, higher and higher

When you get back down, there's only hell to play

But right now I got nothing to say

I can't help but let you go

And I'm dancing in the small, little hall

I can't help but let you go

Cause I never know what you're going on

But I'm dancing in the small, little hall

It feels like dancing in the small, little hall

And you never know

You never know

Fall into my arms

I'm getting a little taste of Babylon

And you do it with such charm

Nothing's okay

Well, that won't last long

Feeling the fire

Let's get you somewhere where it's safe to go on

And I still have a fire

It's no use if you have no talent

But you just have to start

So close to the floor on the fire

Now that I've even started with a burning desire

It gets you higher and higher

When you get back down

That's what we do

Yeah

But right now I could never be the same

And I'm dancing in the small town

Cause I never know where you're going now

And I'm dancing in the small town

Cause I never know where you're going now

That's why I'm dancing in the small town

Yeah

And I'm dancing in the small town

Cause I never know when you're going home

And I'm dancing in the small town

Cause I never know when you're going home

And I'm dancing in the small town

And I'm sick of waiting for his next boat

Better hurry or my bag will come down

And all that time that we had

He was left to the side

Waiting for another chance

To change his tune and change his stance

Death was never the plan

But I'm waiting for another chance

But now you've decided

It's no turning back

Now it's time to dance

It's no turning back

Now it's time to dance

For his next boat, Bella Holly, on my way, we'll come down.

All that time that we had is left to the side.

Waiting for another chance, to change his tune, to change his stance.

Death was never the plan, but now we've decided.

Let's go don quay, on a counts game,

And we'll come down and have a столem come inside oursleves.

Today we love Caldwell and Michelle Bruce,

And Santa Zeit will

make a visit via the harem.

Let's go, light the candles,

Let's go home,

Let's go, light the candles,

Let's go light the harem...

All that time that people thought you were dead.

Let's go kids,

Let's go kids...

Whatcha think you were?

All that time that people thought you were dead.

Let's go kids,

You're still the same,

You's the same,

Let's go kids,

We'll be right back.

Hey, we are back.

And you just heard the Radio Orphans song,

Monkey's Dance Remix from the artist,

Nico Lies.

That's right.

And I think he's got that on his MySpace page.

That's where you can link.

And I believe MySpace just looks all different now

than it used to.

I don't even know if it's working.

I believe there are three songs on that page,

and one of them is the remix.

One of them is this one.

Yep.

There you go.

So you can go and click on the link to this,

in the track here, and bam.

Yeah, yeah.

Nico Lies.

Love that remix.

It's a monkey's dance.

Yeah.

We haven't played that enough.

Yeah, I haven't heard that as much

as I should have recently.

Yeah, good stuff.

Thanks, Nick.

We like that one.

We kicked it off with Vanessa Chacon.

That's right, and that was her song,

I Like to Dance.

I do, too.

Experimental Trip Hop from California.

That's the genre we came up with.

Yeah.

She's part of that Hollywood kill bot

that we've played before.

Stuff, yeah.

Like, somehow they're all connected.

Her and her brother, it looks like.

Is that what it is?

Okay.

I think her brother did the beats to this song.

It was hard to tell, but we found out

where she was from and the connection there.

We've played the Hollywood video kill bot in the past.

That's right, yeah.

And this is probably his sister

would be the guest or a relative or something.

Whatever it is, it's good stuff.

Yeah, and I'm glad that she took the initiative

to send us a darn MP3 and let us know.

Yeah, that was awesome.

We were happy to kick off this podcast with her,

so thanks, Vanessa.

Yeah, and then we had to go do some work

over at Music Alley, didn't we?

That's right.

We had to go and do some devil in the details stuff.

Yeah, we had to go do some mining,

and it was never too difficult at Music Alley.

There's always tons of artists, tons of things.

It's so hard to decide what to bring you guys.

Yeah, such.

Such as the artist we followed Vanessa with,

which is King Never.

That's right.

That was kind of a cool track.

It was Push and Pull was the name of the song.

Yeah, progressive rock from California.

That's the genre they give it, and who are we to argue?

Yeah, I mean, hey, and look it.

They got their own URL.

KingNever.com.

Easy to go to.

It is.

That was a cool song.

Lots of different changes.

Cool stuff in it.

The next artist, Scenic Life.

That's right, and that was their song, Just the Same.

How about indie rock?

What do you think?

I think that's indie rock.

Yeah, sounds like it.

Out of the United Kingdom.

Yep.

Like our UK bands.

ReverbNation.com backslash Scenic Life.

Cool.

Jan Close, or Klaus?

Close, yeah.

Close enough, huh?

Right?

How about that?

Yep, it was his song, Make It Better.

Absolutely.

We got that one right.

Pop rock, direct from New York.

That had a nice New York sound.

I'm going to do it, too.

Absolutely.

East Coast.

JanClose.com.

Close with a K.

Yes, it is.

K-L-O-S-E.

J-A-N-N-K-L-O-S-E.

That's right.

Follow through, folks.

Go give him a like if you can find him on Facebook.

I bet a nickel he's there.

I bet you he's there, too.

If not, just go to his website, JanClose.com.

Mm-hmm.

The next artist we played was Philip Peters.

This is another kind of interesting artist that looks like he's kind of been around for a while.

He has.

Some of the bio things that look like he's been around for years doing stuff.

Yeah.

In the San Francisco area, I believe.

Yeah, yeah.

He's been with some of those bands in the 80s or 70s.

Late 70s, early 80s stuff, yeah.

Some of that punk peripheral stuff.

I didn't research or look into it as much as I probably should have before we got on the podcast.

But, hey, that's why you can always go check out philippeters.blogspot.com and learn more with us.

That's right.

And the song title was Dancing with Miss Molotov.

That's a fun name.

I like that.

It's a cool song title.

And we're calling that Alternative Rock from the great state of California.

Yeah.

Yep, yep.

Cool stuff.

I'm going to go look into that guy some more.

Yeah, yeah.

It was interesting.

I feel like I'm missing out on something there.

Like, there's got to be a reason he's been around for so long and, you know, has so many tracks.

And I'm just hearing about him now.

So I must be, I'm sure we're missing something.

So I'll go look and see.

Well, now we got one of his songs down on the podcast.

So now there's no excuse.

That's right.

The next band we played was Stars Over Shadow.

Yeah, and that was their song No Turning Back.

Rock and roll.

Direct from the United States.

United Kingdom.

Yep, one more of those UK bands.

We did a pretty good job.

Yeah.

You know, pretty much the US and the UK, but.

Yeah, we hung on that California for a little bit, didn't we?

Not by choice, but just it worked out that way.

That's what happens sometimes.

It just happens.

But starsovershadow.com, good stuff.

Go check them out some more.

Yeah, I like that one, you know.

Yeah, it has some like a metal influence.

Some other riffs were, you know.

I don't know.

Cool stuff.

That's cool.

And we ended with Monkey's Dance Remix from.

And that wraps it up for 419.

Yeah, it sure does.

This concludes episode 419 of the Radio Orphans Podcast.

Intro courtesy of Clarity and the Brothers P.

All the music we play is used with permission.

We thank you for listening.

You know, I'm wondering instead of used with permission,

it should be played with permission.

I mean, because we're not like using it, are we?

I mean.

Well, we're using it in our podcast.

Yeah, okay.

But we're also playing it in our podcast.

That's true.

All right.

We're playing it.

We're using it.

Something to think about, huh?

There's always something to think about.

Devil's in the details.

Yeah, that's right.