Trans 2011-07-25: LOST at Comic-Con 2011
LOST Podcast: The Transmission
LOST Podcast: The Transmission
Trans 2011-07-25: LOST at Comic-Con 2011
pop spotting 96 san diego comic-con 2011 audio from the entertainment weekly lost panel
okay um thank you for coming uh my name is chad
nope
before we go any further with our technical malfunctions and um uh the you know self-involved
hijinks that are about to ensue um i just want to say that um thank you very much sincerely for
for coming here and um and uh and yeah thank you for for bringing absolutely we know that you have
a lot of choices
and i think it's safe to say you've chosen poorly
there's a lot of other options that you could be doing right now
um you could you could be at the amazing spider-man panel right now
wow you know there's still time to get away
um there there is another or that one yeah there there's a panel called
the boy who loves uh batman
it's a little creepy
you could also be at live sketching
with stanley art germ loud
okay we're better than that one right
no i don't know i mean i i was there at the planning meeting this morning so i i think
this guy could do something okay cool um listen
about this panel you know i know that we said that there were going to be surprise guests
the big surprise that we had happening is that there's a new Disney and disney uh comic
ываем faction okay disney fans if this one's picked up okay so this one's been pulled over
for a couple years but and there's bells on that one right now at least we haven't even
seen that or any one from that one of the.....
that's gonna be the park show that's gonna be divided because it's gonna be open at six p.m.
The big surprise that we had in store for you today was that we were going to reunite the entire council.
And that's when this fight was done.
They kind of dropped out one by one.
I'm kind of all the way. He was the first one to go, and then Boss Bale.
This is serious, by the way. We're actually going to blow your minds in this room.
Just have them all here, and there are going to be autograph sessions, reunite scenes.
And then, yep, we started getting people bailed out, and then what was the...
The last person to bail out was, he was on his honeymoon, Doug Hutchins.
So Plan B.
Plan B is this.
Yes, Dan, you know we used to do a little funny little show on the cult of the boss.
Tens of people enjoyed it. Tens of people.
And you used to do this thing with me where you would always give me gifts.
That's cool.
And remember that?
And you would always give me, one time you gave me a sunflower.
Well, that was a little cool recap. Totally threw that out.
And I totally threw it away. I was down a sunflower.
And one time you gave me Sterling Bowman.
Hey, you know, when you care to send the very best,
you give them anything.
I never really reciprocated. I never really gave you any gifts.
Actually, you can never thank me for anything, to be honest with you.
I'm just in love with thanking people.
Gift giving is just not my love language.
I want to make it up to you today. I have a gift.
That's a good read.
Wait, you seriously have a gift?
Yeah.
Okay.
Are you on the Twitter?
I've seen it.
Do you happen to know...
You know...
David Lindelof, like, tweets a lot these days.
I don't know if you've noticed that.
I have picked up on that.
And Carlton, by the way, not a big tweeter.
He's more like the J.D. Salinger in tweeting.
If Carlton is the J.D. Salinger, then David is the Joyce Carolos.
Who's Joyce Carolos?
There!
Yeah, books are dogs.
They've been...
And they've been fighting lately, over the past 48 hours,
over...
For something called the Marble Ride.
Have you been following this?
Yes, I'm a Jew.
I'm very interested in the Marble Ride, you know?
I have no sense.
I have the Marble Ride.
Now, I have a source deep within the lost life infrastructure,
whatever it is, and his name rhymes with, you know, Matthew Fox.
And he slipped me this.
I was really curious about it.
What is the Marble Ride?
And, you know, like, I kept thinking, my Doc Jensen brain was kind of on fire,
and was kind of thinking about this, and I was suddenly recalling that,
you know how they used to, like, give code names to, like,
the season finale scenes of Marvel?
Yeah, like Frozen Donkey Wheel, and the rattlesnake, and the...
Right, yeah, sure.
And there was one called The Bagel, and then there was the Hala,
and whatever.
So, the Marble Ride must be the secret game.
It seems like they've been fighting over this scene from...
Whatever, and so, this is it.
This must be it, is it not?
So, this is the gift I want to give you.
I want to give you this gift, and I think that we should show it.
Yeah.
Pass.
Wait.
Pass.
You know what?
Some of these things are just better up here than here.
I just, I don't know.
I'm not comfortable.
I...
They would have shown it to us if they wanted to show it to us.
I'm not in.
I think that you are choosing poorly.
I mean, like, if you're a serious Lost academic,
and a serious Lost fan,
and in the spirit of sort of, you know,
excavating every little thing about Lost,
and wanting to understand everything there is to know about Lost,
I think that you need to see this.
You need to watch this.
You need to share it with everyone.
Yeah.
Show the desk.
Okay, okay, but you owe me big.
No.
No, no, no, no, no, no, no, no.
Sorry.
No, no, no.
We're not drawing that.
Uh, we are...
Is that really?
Yeah.
There it is.
I knew I had to show up here.
I mean, I took some extreme measures,
but this is a travesty.
That scene was never meant to be seen.
It was not meant to be shown.
Yes, we did shoot a scene very early in the series
that was of great significance
and answered certain questions,
but no.
I mean, and I've been arguing with David about this on Twitter,
and I knew that, you know,
this is where it was going to happen,
so how was I going to get in?
How was I going to get in here
without being, you know,
causing a stir?
It took a little bit of extreme mood,
but that's it.
It's really hard to break,
but definitely I can run.
So, like...
Let it be said...
The time has come
to show
this scene.
Yeah!
All right.
One more.
All right.
David.
All right.
Oh, my gosh, Ron.
I'm so jealous.
David.
So, the problem is...
Okay, so...
We'll explain to you what...
Wow, that's nice.
I like that.
We're going to have to do it
for the rest of the book, that's it.
We're going to be able to sit down.
We're supposed to be fighting right now, so...
Yeah.
It's hard to do a lot of things
as a starthrooper.
That's going to be the top of my elevator.
Okay, so, here's what happened.
So, basically, in the first season
of the show,
we, you know,
we had actually planned out
a lot of mythology of Lost,
and so we wrote a scene
which included a lot of the mythology
playing forward,
but when you actually watch that scene,
you know, it kind of gives away,
like, a lot of what's happening
in the next few seasons of the show.
And so, we cut it at the time,
and I think we made the right choice.
And I think that we might have made
the right choice at the time,
but I don't know about you,
but sort of since the show ended,
you kind of promised me
that the whole,
were you making it up
as you go along question was stopped.
And it's only intensified.
And so, I've been saying to you,
we have concrete evidence.
We have proof.
We have the smoking gun.
We have the marble drive.
We have the...
We can show them a scene
that we shot clearly and specifically
in the season one finale
that telegraphs everything
that's going to happen
in the entire series,
and the question will go away forever.
And yet, you do not want to show it.
No, because I feel like
the integrity of the show
will be violated.
We made the show.
We made the show
that we wanted to make.
I mean, really, do we...
Since when did you care
about the integrity of the show?
Look at him.
There he is.
This is exactly about
my commitment to the show.
I thought I was going to suffocate
before I came up here.
I couldn't breathe in that thing.
I was, like, all fogged up.
I was afraid I was going to, like,
land in that gentleman's lap over there.
Let's be honest.
Loss was really just an excuse
for us to dress...
Hey, guys, guys, guys.
Okay, Jeff, yeah.
Sorry, are we interrupting?
This is our thing.
I think that the only way
to really settle this thing is,
you know, loss belongs to all of us now,
not just you guys.
Yeah.
I think the audience needs to decide.
Do we want to see this video?
Yeah.
Who mostly did we just not see at all?
Thank you.
Thank you, Mom.
Well, all right.
Well, I guess I lose.
You're the better wrestler,
so let's show the Marvel drive.
Okay.
Let's show the Marvel drive.
Woo!
Ooh!
You might never going to hear it, though.
One reason not to show it.
I don't want to wake up
with our memories erased.
Exactly.
We're all like,
I'm sorry.
Okay, I think Carlton was right.
I think I rest my case.
That's a lot of color bar.
No, no, Jeff, I want to hear your take on this.
I said three seconds of color bar.
I'm hearing about this.
We're going to die before this color bar is over.
Oh, now I understand the idea.
I can't imagine that there was actually this much color bar.
Yeah.
We're now entering into the phase of...
And there went the scene.
Everybody close your eyes.
Look away from the screen.
There we go.
Someone's getting fired.
We have a technician from here.
Here we go.
Woo!
Do you really think all this is an accident?
That we, a group of strangers, survived?
Many of us were just superficial injuries?
Do you think we crashed on this place by coincidence?
Especially this place?
We were brought here for a purpose, for a reason.
All of us.
Each one of us was brought here for a reason.
Right here.
And you brought us here, Jeff.
Yeah.
The doctor has no idea, does he?
Why is he so afraid?
Where's that path enter?
The path ends at the hatch.
The hatch, Jack.
All that happens to the lead on the map.
Now, we're going to put a new hatch so that we can survive.
They find that Scottish guy down there pushing a button.
He's gonna be pissed.
You owe me a lot of trouble.
Oh, okay. Like, say, more trouble than getting turned into black smoke?
That takes on the form of dead people.
Okay, do you really need to get over that?
Yes, I do.
You just don't know it yet.
Don't call me a monster, Jacob.
Me?
I'm a monster. Get it?
All because you
threw me down into some underground river of shiny magic light.
Shiny magic light is very important.
It happens to be the source of
You and your light.
Okay, Jacob? And I swear to God,
if you start with any of that whole
the island is a cork thing,
I will go nuts.
Okay, well, we'll see how happy
these people are of you explaining their
their whole reason for being here with a metaphor.
You think they'll be disappointed?
I don't know the answers, Jacob.
I'm corks.
Well, maybe they'll give me the benefit of the doubt
once they start jumping around in time.
It always helps things make more sense.
It's like picking six candidates
to replace you because you're sick of being in charge
and you know that I'll inevitably
disguise myself as candidate number four
so I can manipulate their minds into killing you.
Does that make any sense?
I don't know what you're talking about.
Do not.
Do not. Do not.
It's infinity.
You know what?
You've got a bad attitude, Barry.
Hey!
You've got a bad attitude.
We are involved, yes?
Isn't that a relief, Carlton?
Okay, so they're here.
It's real.
We wanted to thank you guys for coming,
and we know you have a lot of questions for Damon and Carlton.
You're going to be able to ask away,
and it was really cool of them to join us.
So if you have a question, you can line up at the mic,
and we'll see what happens.
And we're going to start it off, though, by asking a few questions.
And I guess the first question, guys, is, you know,
tell us a little bit about the video.
When did this come about?
Well, a few weeks ago, when we basically,
when Dan and Jeff approached us about the possibility of making an appearance here,
we sort of felt like we wanted to do something special to Comic-Con,
as we always did.
And so we came up with this idea of doing this video,
and we contacted Mark Pellegrino and Titus Wellenberg,
and then Jack Bender directed it.
And all of a sudden,
we found ourselves on the back of the Disney lot
in this tiny little patch of woods,
kind of behind where they usually shoot Brothers and Sisters.
And here we were shooting the Lost scenes about three weeks ago,
and that was really weird.
But that was how it came about,
and we made it just for you guys.
I think what everyone's wondering right now is,
got any other scenes?
Well, there are a few scenes that fell out of the show for various reasons,
all of which are on the DVD,
with the exception of one flashback story from the beginning of the second season,
which is a Sawyer flashback story in the episode of Drift,
which ended up being subbed out for a Michael flashback story.
But that's really the only remaining piece of material that has kind of not been out there.
So we had to...
We tested on something for the next totally lost panel, I guess,
but we manufactured this instead.
You just keep talking.
It really sounded like a good idea at the time.
So I just want to set the record straight.
You guys really smoked.
I don't know.
There's a lot of things that I don't know how you do if you're a stormtrooper.
Ask the question.
So just to set the record straight,
you guys actually blowed each other, right?
Yes, that is correct.
So the feud, what's changed?
The feud is still ongoing.
The feud is ongoing.
No, it was a complete and utter farce.
It was funny because we started doing it just a couple days ago,
and we just felt that everybody who watches the show
would clearly know that there were shenanigans,
but there were a lot of people who were sort of,
should we be taking this seriously?
It feels like body and body are fighting.
And that's...
We've always talked about,
and that's particularly one of the greatest things about the con
is that there's just a certain degree of,
hey, we're all in on the joke,
but it's still fun to sort of create a false reality for you guys,
and I really cannot believe what the fuck is happening to me.
It's just, we're not putting on our jeans.
I really didn't, we didn't think through this part.
That's not the first time we said that either.
One question we wanted to ask was...
It's working.
One question we wanted to ask was,
now that you've had some distance from the show
and moved on to other things,
as you look back now,
is there one thing,
one thing that you wish you could try again
or tackle in a different way
or have more time to do this?
Is there one thing looking across the run of the series
that still intrigues you?
In hindsight,
and I think that we've talked about this before,
when Carlton and I and the writers started talking about
wanting the show to end,
we were always feeling that
it was probably going to be more like five seasons
in an episode.
But that was something that we had no control over.
And at the time that we were having those conversations,
everyone in our lives was telling us,
they're never going to let you in the show, period.
And so, the idea of what would have lost,
what would lost have looked like
maybe sort of 20 episodes shorter.
And then you go, well, what 20 episodes go away?
It doesn't work that way.
It's more like, you just don't have to stretch out
the story as much.
And things that we've sort of talked about ad nauseum,
like locking the characters up in cages
at the beginning of season three,
it just, it just,
affected the pacing.
So, but it happened exactly the way that it happened.
And those episodes kind of needed to happen
in order to get an end date.
So, you can't really deny them
their sort of presence in the lexicon.
You know, we've heard multiple times
since the show has ended,
a lot of people now are coming to the show
for the first time.
They're watching it on DVD
or they get it on Netflix.
And when you watch,
when you watch it from beginning to end,
the idea of sort of seasons kind of goes away.
And all you, all that's left is,
it's a story.
So, maybe it went on a little bit too long,
but, you know,
I couldn't tell you which episodes
I wish didn't exist.
Let's still get rid of the
Jack and his Tattoo episode.
But then we'd have nothing to bet you about.
Well, we'd have stuff.
Sure.
All right, three,
three things,
three housekeeping things.
We really do want this time
to be a question for you guys.
So, we definitely want a lot of questions.
For these guys,
to entice you to the mic,
I don't think it'd be much enticing.
There's a long line.
If you come to ask a question,
we have a poster for you.
Can we see this poster?
Do we have posters?
More color bars?
Color bars?
Posters will serve us.
Why don't you talk about how they make them?
I think you have a better,
I think I'm just going to see the posters.
Lee,
one of the things about this fan community of which you are a part
and of which we are enormously just grateful to have
is that we are really interested in what you guys think about the show,
even though it's been over for a year.
And these things sort of filter over to us,
whether it's fan fiction or art that you're doing
or tattoos that you're putting on your body for the rest of your life.
It's enormously flattering and amazing.
And we,
we saw this piece of art online,
and then there was this very sort of compelling and emotional story behind it.
And this was,
this was created by a gentleman named JJ Harrison.
And he had a YouTube.
JJ's here.
JJ,
do you want to wave?
JJ,
where are you?
JJ's here.
He's in the back there.
Yes.
Thank you.
Thank you,
Joe.
This,
through a series of perhaps
early curse numbers-esque horrible things happening in his house,
including the complete destruction of his plumbing system
and mechanical difficulties with his car,
he was not going to be able to take his family to Comic-Con this year.
So we bought all these posters to give to you guys
so that they could be here.
And so...
With any one of these posters, it's love from JJ for the show and making them, and our love back to all of you for carrying the torch, because it's just amazing that, you know, I kind of like a room like, Hall H is nice, but this is much more, and I can actually see everybody's face, and I'm just so grateful for you guys being here.
I know you still have a couple more housekeeping things, but before we do remiss in not thanking everybody at the John Bernstein, and I know in this group, the DVD people, all the people who helped make that film.
And Rosalie and everyone at ABC for allowing us to make that, so that was great.
And of course, thank you so much for that. Everybody did this for me, so thank you guys.
One more time before we wrap up.
Okay, so first question, and now if you guys have questions, I'll give you a question.
First of all, thank you so much for Lost.
It was such a great ride, and I love the finale.
I fell in love with Lost, the episode where Rose and Charlie said they are a father together.
I'm going to cry thinking about it.
It was the first of many times I cried watching the show.
And one of my students said,
the next day, can they do that?
And the spirituality, the unembarrassed spirituality of the show, that was extraordinary.
Did you hear any blowback ones from the network on that?
Was there anybody trying to say, you know, that's not what you do?
No, actually not.
I mean, that was kind of one of the great things.
First of all, just in general, how supportive ABC was,
given all the crazy things we did on there.
And I think we tried very hard, particularly in the finale,
when we showed that stained glass, which had religious symbols from all sorts of different types of faith,
to say that we were kind of more interested in a statement that was spiritual,
as opposed to a statement that was specific to any one religion.
And I think, you know, as long as they didn't have the perception,
and we were not trying to cross the ties for any particular faith.
I mean, I'm Catholic, Amy's Jewish, and, you know, there's different writers on our staff.
I had various different...
Religious beliefs.
You know, we were interested more in kind of evoking sort of a larger sort of spiritual feeling,
and kind of how we're all connected spiritually, not based on one specific religion.
Thanks.
Poster.
We got a poster.
Lots of questions, so I can get a poster.
Thank you very much.
Thanks.
Okay.
I'm also someone who...
This is the only reason I come to the Comic-Con.
The only reason.
My husband's been coming for 10 years.
I think I'm not the only one.
Okay.
There's a few people in here who only come because of Lost,
and so thank you for that, for giving me something to do here.
It's like costume watching.
I get to finally come and get excited about something.
Okay.
So, I'm sure like many, I have a million questions, so I've narrowed it down to one.
Ben and Widmore.
Okay, so they meet in Widmore's fancy family.
And Widmore is sleeping, you know, and he wakes up.
And Ben then says...
One of them says to the other,
I wish I could cry.
So, one of them says to the other,
I wish I could kill you, or something like that.
Why couldn't Widmore and Ben kill each other?
This is going to feel like a dodge, and then it's going to morph into something slightly more specific,
which is questions that start with, why can't?
You know, the ultimate answer is, because they don't.
And it really doesn't work.
And in explaining, you know, what the insular rules of the show were, one of the things that we really wanted to do is that when we talked about the island, and whenever we talked about rules, there seemed to be rules that the man in black had to follow, or the smoke monster had to follow, or that Ben or Widmore had to follow.
But when we started talking about these rules, then the construct becomes, like, well, what happens if you break these rules? And it kind of got into the more meta-interesting thing for us in terms of just society, which is, these laws exist, but there's really nothing stopping you from breaking them.
Like, you know, other than sort of your own moral code. And so the real question that you're asking is, what would have happened if Widmore had killed Ben? And the answer is, a very large mushroom cloud. I'm a gun, sure.
No.
We can't answer it because he didn't. He believed that he couldn't, and sometimes believing that you can't do something is enough.
Perfect answer.
Thank you.
Hi. It's really good to see you guys together again. I miss your podcast.
Yeah.
My question is...
Are you talking to Dan and Jeff?
I miss them, too.
My question is simple, sort of. I just want to know, who was in the other Outrigger in season 5?
Where's Alan Steffenwald?
There you go, yeah.
There's Alan.
You didn't disappoint.
I mean, you know, one of the things that we've avoided doing, and I think that we will continue to do, is to not sort of be filling in the missing blanks.
Sort of, outriggers.
after the show is over
we don't want to be in a position
of sort of answering questions
that answer the unanswered questions
there are unanswered questions in the show
there are unanswered questions in life
no one gives us a complete
rule book about how we get through the world
we do the best we can
and I think that
the show, I think the same is true
there is no time
to show up
with a neat bow on top of it
I think we did the best we could
and answered the questions that we wanted to answer
and I think that some of those things
but also we felt like
if somebody says well the answer to the question
about the outrigger can be heard if you go to
YouTube and you see Damon and Carlton
or at Comic Con in 2011
but that wasn't fair either
that they were like scattered like
horcruxes across the
the pop culture universe
so you know
anything else you want to know?
but you can get a poster
we will
I completely agree with everything that Carlton just said
and I just want to add that
we talked on multiple occasions about
about the answer to that question
and we know the answer to that question
and we purposefully withheld it
and maybe that's frustrating
but for us it was kind of like the Russians and the Sopranos
sort of like
after answering
at that point in the game we'd answer so many questions
and some of the response
we were getting to those answers was
blech
we're basically like okay
the outrigger one is just going to stay unchecked
so sorry
very good segue to my question
I think in the last 25 years
the two most iconic shows were Sopranos and Lost
and they had a lot of feedback
from their finale as well
did you guys mull that over a lot
or did you kind of expect no matter what
ending you were going to get there was going to be a lot of people
that loved it, a lot of people were going to be
kind of in the air about it
I think with Lost and Sopranos the ending is kind of the same
yeah I mean
we definitely
first of all
we talked a lot about that ending
we were like shocked
and both him and I really kind of
ended up deciding we really loved the Sopranos ending
a lot
and we felt that
there was absolutely no way to end Lost
that was going to satisfy everybody
but we knew that
and so we basically
as we went on the journey
we knew pieces in the ending
and like any creative process
the farther you go
the more you kind of color in
and expand your creative vision
and when we got to the end of the show
we had a very clear idea of where we were going to end
and we executed our game plan
we did the ending
that we wanted to do
and that we believed in
and we felt that
some people would not like it
but a lot of people would really embrace it
and we felt that was the best we could do
and you know
there's a more nuanced answer to that question
which is over time
especially in the years since the end of the show
when I get into conversations with people
who say that they didn't like the finale
in the glass half full way of looking at things
which is a slightly new perspective for me
is that it turns out that there were things
about the finale that they really liked a lot
like almost everybody kind of digs the idea
that Hurley's in charge in the end
and that Jack's going to be in charge of it too
that's not a controversial idea
almost everybody kind of likes the idea
that Jack dies
like they're kind of cool with it
they're kind of cool with that
it's sad but they like it
it's when you start to get into the other territory
of what was the sideways world
what did it mean
what did it represent
that whole issue really speaks to the entire
sixth season of the show
and on a deeper level
the entire theme of the series
so that's the sticky wicket
that area
but at the very least
if you kind of go down the checklist of
here are things in the finale
did you like this, did you like this, did you like this
it's not a zero sum game
don't get too close to it
thank you
I just wanted to know
what gave you the idea to do Lost
was it an inspiration from someone or something
that's a great question
and I think that Lost was a show
that came from a lot of different places
and when it started out
I think it was one thing
and it gradually became another
as more brains sort of came into the process
and I think what was really special about this is
Lost is the child of a lot of different creative visions
so this iteration of it started with
an executive at ABC named Lloyd Braun
and he wanted to give our show Survivor
you know the reality show
he just wanted to do that show as a drama
and that idea sort of passed over to JJ and I
and we wrote a pilot
and we decided that we wanted it to be mysterious
and we wanted to do it in a way that was
and put flashbacks in the show
and then Carlton came in
and he started bringing some ideas
other writers came in
other directors
so that by the time we got to the end of the first season
you know we had probably a hundred different inspirations
we liked Stephen King
we loved the Harry Potter books
we loved the Star Wars movies
so we just started drawing from all these different things
and so it wasn't like one morning
we just woke up and said like
oh my god I've got the idea for Lost
so be patient
and make friends
with it
lots of smart people
I hope you enjoy it
Okay my question is
so I started watching Lost
because of a website called T. Curie
every Tuesday when your show was
I see a lot of you guys with T. Curie shoes
in here
there we go
and there was a polar bear on the computer
typing it was a little 108 clock
I bought that shirt
and then I'm like I need to watch the show
to know what the shirt means
I started getting into the second season
we started to find out what's in the hats
and all that stuff
so my question is
where did the polar bear idea come from?
inspiration from it
is it just something
randomly popped in your head?
that was a very simple one
we were on a location scout
in Hawaii
for the pilot
and we
there was no script yet
there was just an outline
so we had to
we had to get on a plane
and figure out
we were talking about
you know
we were talking about
whether or not
we were going to shoot the show
in New Zealand
or Australia
and thanks to again
Barry Johnson
who was here today
we ended up in Hawaii
which might have been
a little bit more expensive
but it actually ended up
being the right place
we were driving through Hawaii
and JJ and I
and Sarah Kaplan
who was one of the producers
on the
pilot
said
wouldn't it be cool
if there were
if there was wildlife
on this island
that is not super natural
but has no business being
you know
on this island
and then
and then JJ said
like a polar bear
he's like
no not like a polar bear
they're far less awesome
and then gravitate back
to his polar bear
that's what the
that's how it happened
thank you
thanks
alright
let's see
back in season two and three
there was
a lot of speculation
before and after
Olivia was killed
that possibly
she had some
alternative
options
like
you know
like
you know
like
you know
like
you know
ulterior motives
and I was wondering
if there was any
different backstory
other than
what was planned
before she got killed off
ulterior motives
meaning
well
I've read
I've read theories
that she was
like
Whitmore's secret
ape person
but I read another
crazy one
where
her
her hut
and a dead husband
was on the
the deck
that
probably made
her fall down
and she was
I mean
no I mean
in the case
of that character
I mean
I think we executed
the kind of
the game plan
that we had
for her
you know
certainly other characters
their storylines
changed based on
sort of
the kind of
just
how they interacted
in our echo sphere
speaking of echo sphere
echo
that's a fine example
of a guy
who we loved
on the show
but you know
he didn't really want
to be in Hawaii
he didn't like
the show
but that in turn
gave room for us
to do a lot more episodes
with Michael Emerson
so you know
those
those things
happened
in the JKTV series
you know
JK Rowling
is completely
in control
of her universe
she can
you know
do whatever she wants
but we are
collaborating
with a whole bunch
of other people
and so
you know
there was a
there was a very
organic process
of just watching actors
and seeing how they reacted
to the show
and but
but you know
Libby pretty much
you know
she kind of
you know
she kind of did
everything that she
you know
that we had
we had planned for
that wasn't anything special
about that
come get a poster
hi there
uh
I love Lost
it's
probably my favorite show
that I've ever watched
and I watch a lot of TV
um
if you could pick
any of the seasons
uh
all of you could
could join in
on this question
um
just
just in terms of
sort of
favorite season
yeah
what's your favorite
uh
you know
I think it's
it's the
the obvious answer
is in this case
the
the true one
which is
the first season
of the show
in which
anybody who knows me
and there are many people
in this room
who I worked with
during that season
was the most
unhappiest time
in my life
um
Carlton and I
joke all the time
about how much
I'm sorry
I'm sorry little girl
who was here earlier
but
it's literally like
you know
when the rat sobs
when you can't speak
and Carlton's saying
just
sit there for a minute
like
so
but
once
once we sort of
moved through
that
and
kind of went down to Hawaii
and watched them shoot
the raft launch
it was
it suddenly sort of
clicked in for me
that
oh my god
this is
this word Lost
so um
definitely season one
big bullshit
you were still crying
season two
and season three
and season four
and right before
and then the last season
because it was over
he's crying
oh my god
any excuse
no
um
no I would say
the first season
but just because
it was so fun
to be doing something
that was clearly
completely different
we had
broken all the rules
of you know
television
and then it was working
kind of a large
and sprawling cast
but we had characters
that had done really bad things
like murder people
we had
um
you know complex
intentionally very ambiguous
storytelling
you know we had episodes
that had so much subtitle
people would probably say
that's the best episode
of television
I've ever read
you know
I mean
those
the fact that people
were embracing the show
was
was great
you know
I actually
I do remember
because
when we started out
we really thought
it was going to be
a great show
and so
when Damon and I
were working on those
first episodes
it was like
let's just make
the 12 coolest episodes
of television we can
and then
the ratings came in
for the pilot
now when you're a writer
producer
like getting big ratings
for your pilot
is like winning the lottery
and Damon came in
to my office
crying
and calling the ratings
you have to keep
fucking doing this
so
winning the lottery
is not always
a good thing
though
yeah
I'll give you your poster
Hi
um
yes
I love Ross too
so
you know
we dived the whole time
no I'm just kidding
I was kidding
it was actually
um
because I know
that you guys
had featured kids
with special abilities
like Walt
and even Hurley
had things going on
from the time
he was a youth
with the numbers
was there ever
a plan
to flesh that out
more in the show
and then you guys
had to truncate it now
not not at all but you know we approached it more with the sort of
Stephen King approach which is there's really no explanation as to why Carrie
is telekinetic she just she just is and so the idea that we wanted to deal with
this idea that there were people with paranormal or psychic abilities out
there Walt's one miles is one certainly later early sort of manifests up in a
different way block although it doesn't exhibit supernatural abilities there's
an inclination that there's something special about this kid when Albert goes
to see him and that was the idea we never had any intention whatsoever of
explaining why these children and not others and as unsatisfying as that might
might be it's probably a little more satisfying that oh my god you should have
seen what we cooked up just like the hour ago we didn't want to do it no this
is you know that that was one of the things that we wanted to do we wanted to
do but we didn't want to make it like a mystery to us why is wall special
parking back to the first gentleman who asked a question the answer is because
he is with Walt in particular you know we have ran into again one of those
practical problems which was that it probably was aging much faster than the
timeline of the show so we when we did the epilogue it was you know in the
season of the show that was our that was our best effort to try to kind of rope
that thing that we had a problem with and we didn't make it the time to do it
that character back into the show
because we couldn't fit him
into the timeline of the series
because that was a practical problem.
Thank you.
Hi.
One of my favorite parts that lost
is the music.
And so I was wondering how much
you guys...
Thank you so much.
Thank you.
I appreciate it.
By the way, we tried to get him
into a slave layup.
He was not good.
Yeah, I was wondering
how much you guys
worked with him on scenes where
the music is so important, like the final scene.
Did you guys
talk to him at all about that?
I mean, honestly, to be fair,
Michael, we would go to these scoring stages
at the end. That was sort of one of the big treats
because normally we just didn't have time
during the making of the show every week
to go to the scoring sessions.
So always for the season finale,
we would go to the scoring stage
and we would sit there and the scene
would play on the monitors and we would hear
Michael's music and we would both cry.
Everyone would say,
Michael, that is awesome.
I was like, you're in my world now, baby.
Michael, here's the gap.
Thank you for that.
But that was pretty much
our feedback, was crying.
Thank you.
Hi. So my favorite
thing about Lost, if I had to pick one
of my many, many favorite things,
would be the writing.
And the way that you guys, even when you hit rough spots,
the writing was always solid.
And you just creatively
heard all these new things and you made us believe it.
Like Sawyer and Juliet's,
I mean, it came out of nowhere,
but I was totally sold.
So my question is,
did each of you have a favorite character
or a pair of characters to write?
That's a good question.
And I think that the answer
that we usually gave
over the life of the show
would change depending.
But I think
if you really forced
us to
choose
a favorite character
ultimately,
I don't know.
I think that while Ben
and Hurley were really great
unique voices and super
pithy and smart and amazing,
I think the Jack Locke scenes.
And the thing is, it doesn't work like
Carlton writes Jack and I write Locke.
We're both writing both characters.
And through Myriad, you have a scene
where Jack and Locke talk to each other
and it goes back and forth between us
and that's all that's been processed in the room.
But I think, I just felt,
like, you know,
that central relationship of the show
and when those guys were talking to each other,
that was always when it was most interesting to me
and I would also be surprised that they were saying
the things that they were saying.
Yeah. I mean, they were the core relationship of the show,
but, like, when Claire had Squirrel Baby,
that was kind of awesome.
What about you guys?
Who are your favorite characters, Jack and Ben?
Is it possible to even answer that question?
I'll just, uh,
yeah, it's,
I'll go for Ben.
Yeah, I think that the Ben,
any scene with Ben was really cool, yeah.
Just for the record,
although we got a lot of hate,
Jack was absolutely my favorite character.
I'll pass that along to you.
Are we getting a poster?
We have five minutes left.
I just say that we would, I know.
Well, sure.
I said we would show the video again.
We are not going to show the video again.
I want to get as many of your questions.
The video's going to be online, I think,
by later today.
Okay.
So you guys can see it.
Cool.
Well, you guys said that you want,
you designed the show to speak for itself,
and I think you did that,
but, uh,
was there anything either thematically
or even just, like, a specific plot point
that, like, you were just waiting for the audience
to just catch on and didn't?
Or just, you know, like,
you missed that one thing, or?
I know, I mean, I think that the,
the lesson that we learned early on
was that there was absolutely nothing
that,
that we, in,
that we put in the show
that was not observed.
I mean, I remember when we,
when we put the Dharma logo on the shark
in the first scene of the show,
and, like, instantly, people,
people found it,
or when we kind of distracted our first,
um, ARG, you know,
between seasons of the show,
and we expected the, you know,
these clues to, like, last for weeks,
and these sort of five lines
that the show solved in, like, nine minutes.
And, like,
people wanted to see, like,
oh, great, uh, what do we do now?
So, I mean, it was just,
the, the audience was,
was so engaged in the show
that it was, you know,
I can't think of a single thing
that, that, that we put in there
that wasn't discovered.
All right, fair enough.
Thank you.
I just want to say thank you,
and thank you, Michael Chihino.
Thank you.
Of every question that I could possibly ask,
the, the only one that I can think of
is just looking back,
creating something,
is such an amazing piece of work,
including the music and everything.
How, and how it's affected everybody.
Um, for better or worse,
for me, in my case,
totally better.
How does that affect you?
What, looking back,
how does it feel
to have created something
that has been so meaningful
for so many people?
Wow, I mean, that's,
that's almost an impossible question
to answer.
I mean, it's, it's, it's,
it still is sort of surreal
on some level,
so I mean, I think the,
the experience of, of loss
is, um, you know, unparalleled,
I think, in, in both of our lives,
and something that we, you know,
will, will, you know, cherish forever,
and, and, you know, as Danny said,
it, you know, it'll, it'll probably appear
very close to our names
in our, in our epitaphs,
in our obituaries, and, um,
I don't know, it's just, it's,
I, I just consider, you know, myself,
you know, the last,
when you, when you make a television show,
you know, you try your hardest,
you, you know, no matter how well
you write something,
there's this whole other process
of alchemy that has to occur,
because you're collaborating
with 425 other people,
and just, in Lost, everything worked right,
I mean, it wasn't just the two of us,
it was us, the other writers,
the actors, the directors,
the production team,
and just that kind of,
and the, everyone kind of working together
in this shared vision,
and it's a really, it's an impossible thing
to sort of achieve or to create,
and as a showrunner, you, you,
you want that, but you can't will it to happen,
and, you know, somehow that happened
on this show, and we had this sort of
special offer.
And, you know, it's just,
I, I just am deeply appreciative
of the entire experience.
I, I could not more articulately repeat
what Carlton just said.
I'm not going to, but I would just say
that in addition to that,
I feel like there's a part of me
that doesn't feel like we're the ones
who made Lost.
Like, Lost kind of existed,
and we allowed it to be what it wanted to be,
and for those of you in the room
who are parents, like I am,
you kind of, you look at your kid,
you can't say, I made that.
Your kid is just, you know,
you were responsible for raising them
and bringing them into the world,
but then it's kind of going to do its own thing.
So it's still very, it's a very surreal idea
that we made this thing Lost,
that it, that it just exists.
It feels like it was something
that was not only channeled by the 425 people
that Carlton just mentioned,
but also channeled by everybody in this room.
You exerted your, you know,
your creative energy onto the show,
and as, and we had,
we had a dialogue going the entire time
the show was on that was critically important to us
as writers.
You know, it, just as critically as important as it is
when a football team takes the field
to hear the cheers at the home,
you know, you know, there's a,
crowd noise has a factor.
You guys were our crowd noise
and we're enormously grateful to you
for it all.
Let me have,
did you use the camera, sir?
Did you use the camera?
Oh, I did.
All right, all right.
You guys mentioned the word surreal,
both of you, just within the last minute.
How much are you told to Andre Bertolt?
And that is the last question, by the way.
Subconsciously, perhaps a lot,
but consciously, nothing.
How did you, how did it happen?
Everything was well?
Awesome, thank you very much.
What's that?
Number 128.
What's that?
Number 128.
Mr. Kesby?
Yes?
Hi, hi.
We are out of time.
I'm so sorry.
Yeah.
It's fine.
Thank, thank you.
Everyone, sit down.
I'm sorry.
Wow.
Yeah.
That's what I was thinking.
One last question.
This is a question on the Twitter site.
Yes.
Okay.
So, this is a question from Twitter.
This video, the video was just posted to me from Twitter,
but the question, the video will be posted on ABC.com.
And just one last question from us, which is, you know,
is there a home-age comic-con panel like in Mos,
Future, or what?
.
You know, I mean, we love coming to Comi con,
and honestly, I .
I mean, I think the, being in this room,
with the people, you know, I mean, you know, I talk,
you know, I think being in this room,
people who obviously care about the show
who came here not even knowing that we were going to be
here because of
just a connection to the
show. I mean, that's
what matters to us. It doesn't really matter what size
hall it is. It's just really great to see
all of you. And we thank you
enormously for your love and support
of the show.
Thank you.
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