Art – Life – Art as Living Space and Life Dream / Group Show at Hebel_121 Basel

yes hello we are now in lever 121 with the title art life art as an introduction to art as a

living room and living dream and we are now starting in the exhibition room because the title subtitle

also means what you always wanted to know and never got to see in the lever 121

that would now be there at the beginning of the exhibition room and you will see a few works right now,

for example on the sims an old work from daniel göttin from the art school then from billy

gruner an artist from australia with a monochrome white picture then again his work from daniel

göttin the work is about 30 years old that is also monochrome as you can see and then very

important from johannes burla his professor at the time you would say today in the art school

back then where he learned as a sculptor among other things that is a wonderful cross made of wood

and finally a monochrome picture again what but has a bent chassis he builds this chassis

himself and then paints it monochrome then we come to sarah kerry an australian artist

who paints with spices that is now a chili

a chili a chili spice that she then brings with binders on a metal plate then we come

to the yuka miyazaki in the front room and the yuka miyazaki is a japanese artist

and she paints with cracked ashes and silver silver silver leaf she calls it and then in this room

we have the very great work the little work from johannes burla that is a tea carrier bent

two-tone steel so that is actually the front room already somewhat defined then we come

to the back room there is a work by daniel götzi namely then he has learned to weld

from the professor johannes burla and this is his first work he uses also today he is

He used it with all the waste products that lay around the farm in the Hildhauer class at that time.

Then we come to the international, to David Shremlett with a pastel drawing.

This would be the Igarashi Akio, also with a drawn paper.

This is all graphite, all hand-drawn, actually interesting.

A Japanese artist, whose work is over 50 years old, and an English artist, whose work is a little less old.

And on top of that there is a textile art.

From Sasaki Makoto, the Heartbeat Drawer.

He drew his heartbeat on a canvas.

It's a linen cloth, which is now still folded.

Then we come to Shuei Fukuda, also a very young Japanese artist,

who also worked with silver and

um

monochrome colored paper.

Drawn on a box, actually the monochromy from the old Japanese imagination,

brings it into the modern.

Then we come to my work.

These are color drawings, all the rest of the threads that I collect,

and then I put them together into such colorful drawings, depending on when I sew.

And the next work is also a ribbon drawing.

These are all also ribbons, which are hardly available today.

In the past they used to be called pants ribbons.

I also make drawings there, but directly without a pencil or colored pencil,

but directly with the material.

Then the work of Valerie Arbel.

Valerie Arbel from Marfa.

These are embossed prints that she printed for her husband Robert Arbert,

the master printer in Marfa,

who already printed for Tchad, for all, more or less,

minimal artists in America.