Melodías pizarras - Ritmo y blues - 13/07/24

Radio 3

Melodías pizarras

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Un programa para Radio 3 escrito, dirigido y presentado por Marciano Pizarro.

A program for Radio 3 written, directed, and presented by Marciano Pizarro.

Bienvenidos a Melodías Pizarras, donde lo antiguo es mejor y más divertido.

Welcome to Melodías Pizarras, where the old is better and more fun.

Melodías Pizarras

Chalkboard Melodies

¡Gracias!

Thank you!

Música

Music

Nuevas melodías pizarras caseras y veraniegas que abrimos con Johnny Ace

New homemade and summery melodies that we open with Johnny Ace.

El...

The...

Mítico pianista y cantante de Memphis

Mythical pianist and singer from Memphis

Que hizo Blues, Soul, Rhythm and Blues y Boogie

What did Blues, Soul, Rhythm and Blues, and Boogie do?

Debutó artísticamente con los Bill Streeters

He made his artistic debut with the Bill Streeters.

La legendaria agrupación de Memphis que contaba con la presencia del gran B.B. Kim

The legendary group from Memphis that featured the great B.B. King.

Johnny Ace debutó discográficamente en Solitario en 1952

Johnny Ace made his solo discographic debut in 1952.

Hemos escuchado Burly Cootie grabado para Duke en 1952

We have heard Burly Cootie recorded for Duke in 1952.

Y nos vamos con una...

And we leave with a...

Poco conocida estrella del Rockabilly

Little-known Rockabilly star.

El cantante y guitarrista Billy Harlan

The singer and guitarist Billy Harlan.

Un muchacho de Kentucky que obtuvo su mayor éxito con su primer single

A boy from Kentucky who achieved his greatest success with his first single.

I Wanna Bob

I wanna bob.

Grabado para Brunswick en el año 1958

Recorded for Brunswick in the year 1958.

Heard and keepin' jumpin'

Got a rhythm in my face

Got a rhythm in my face.

I wanna bomb

I want to bomb.

I wanna stroke

Yeah, yeah, love

Rock and roll

Step in a little John

Step in a little, John.

Everything's goin' fine

Everything's going fine.

They got a rock and roll band

They got a rock and roll band.

I'll have a dancin' good time

I'll have a dancin' good time.

I wanna rock and roll band

I want a rock and roll band.

I'll have a dancin' good time

I'll have a dancing good time.

I'm on a bomb

Estoy en una bomba.

I'm on a stroke

I'm having a stroke.

Yeah, yeah, love

Rock and roll

In a booth in the corner

En una cabina en la esquina.

Said a cutie butch

Said a cute butch.

One look and I could tell she got a lot of dancing dreams

One look and I could tell she had a lot of dancing dreams.

I'm on a bomb

I'm on a bomb.

I'm on a stroke

I'm having a stroke.

Yeah, yeah, love

I'm on a bomb

I'm on a bomb.

Rock and roll

One look and I could tell she got a lot of dancing dreams

One look and I could tell she had a lot of dancing dreams.

We finally walked down

Finalmente bajamos.

At a half-past four

At half past four

But I'll look her up tomorrow

Pero la buscaré mañana.

And I wanna dance some more

Y quiero bailar un poco más.

I wanna bomb

I want to bomb.

I wanna stroke

I want to caress.

Yeah, yeah, love

Rock and roll

Blue Saltalín ahora en Melodías Pizarras de Radio 3

Blue Saltalín now on Melodías Pizarras on Radio 3

con Stix McGee, un guitarrista y cantante.

with Stix McGee, a guitarist and singer.

Suena la orquícelo de un沒有

The phrase seems to contain a mix of languages or a typo. A direct translation would not make sense as it is currently written. Could you please provide the correct phrase or clarify it?

who plays blues

Yo no hablo tanto

I don't talk much.

49 grabó para el sello Atlantic

49 recorded for the Atlantic label.

este conocidísimo

this very well-known

Drinking Wine Spocky

D.O.D. que grabarían

D.O.D. that they would record

tantísimas figuras del

so many figures of the

Ritman Blues

Drinking Wine Spocky

y ahora como no western swing vaquero con bill boyd y sus cowboys rambles la

And now like a non-western swing cowboy with Bill Boyd and his Cowboys Rambles the.

legendaria agrupación liderada por william lemuel boyd cantante guitarrista y estrella

Legendary band led by William Lemuel Boyd, singer, guitarist, and star.

cinematográfica tejana que en 1933 creó sus legendarios cowboys rambles entre 1934 y 1951

Texas film industry that created its legendary cowboys rambles between 1934 and 1951.

esta agrupación grabó más de 225 canciones hoy escuchamos tengo el blues para mami grabada un

This group recorded more than 225 songs; today we listen to "I Have the Blues for Mommy" recorded a...

30 de octubre de 1938 en el hotel blue bonnet de san antonio rambles

October 30, 1938 at the Blue Bonnet Hotel in San Antonio rambles

para el sello bluebell como no podía ser menos

for the bluebell label, as it couldn't be any other way

and

¡Gracias!

Thank you!

También fue campeón de violín canadiense en tres ocasiones

He was also the Canadian violin champion three times.

Vamos a escuchar Newfoundland Breakdown

Let's listen to Newfoundland Breakdown.

Grabado para el sello RCA Victor en 1952

Recorded for the RCA Victor label in 1952.

Y aquí Ned Landry está acompañado al piano de Bruce Holder

And here Ned Landry is accompanied at the piano by Bruce Holder.

¡Gracias!

Thank you!

A continuación con un número muy apropiado para estos días del orgullo, Gay Hawaiian Party, de Alfred Apaka y sus hawaianos selectos.

Next, with a very appropriate number for these pride days, Gay Hawaiian Party, by Alfred Apaka and his select Hawaiians.

Alfred Apaka, un cantante que se hizo muy popular entre finales de los años 40 y los años 60.

Alfred Apaka, a singer who became very popular between the late 1940s and the 1960s.

Debutó profesionalmente en 1938 en el Royal Hawaiian Hotel con Ray Kinney.

He made his professional debut in 1938 at the Royal Hawaiian Hotel with Ray Kinney.

Gay Hawaiian Party se grabó para el sello Ndeka en el año 1951.

Gay Hawaiian Party was recorded for the Ndeka label in 1951.

Gay Hawaiian Party se grabó para el sello Ndeka.

Gay Hawaiian Party was recorded for the Ndeka label.

¡Gracias!

Thank you!

La enormidad que acabamos de escuchar

The enormity that we have just heard.

llevaba por título Querube

it was titled Cherub

y era obra del Cuarteto Flores

and it was the work of the Flores Quartet

la mítica agrupación

the mythical group

creada por el maestro Pedro Flores

created by Master Pedro Flores

una verdadera institución

a true institution

en el bolero y en la música

in the bolero and in the music

puertorriqueña. Querube se grabó

Puerto Rican. Cherub was recorded.

para el sello Víctor en el año

for the Victor label in the year

1941 y aquí cantaba

1941 and here I sang

Daniel Santos

y nos vamos con Tito

and we are going with Tito

Rodríguez, cantante, vibrafonista

Rodríguez, singer, vibraphonist

y percusionista

and percussionist

que debutó en el conjunto

that debuted in the group

Siboney. Después pasaría por los

Siboney. Then it would pass through the

Cuartetos Mayarí y Marcano

Mayarí and Marcano Quartets

por las orquestas de Xavier Cugat

for the orchestras of Xavier Cugat

Noro Morales y Machito

Noro Morales and Machito

y en 1948 ya crea

and in 1948 it already creates

su propia banda

your own band

Los Diablos del Mambo, que tuvieron que cambiar

The Mambo Devils, who had to change.

el nombre a Los Lobos

the name to The Wolves

del Mambo, precisamente con estos lobos

from the Mambo, precisely with these wolves

grabado para el sello Tico en 1950

recorded for the Tico label in 1950

la rumba

the rumba

no se acabó

it’s not over

Música

Music

en Bustero Mentiroso

in Liar Bustero

la rumba no se acabó

the party is not over

En Bustero Mentiroso

In Liar Bustero

La rumba no se acabó

The party isn't over.

Música

Music

y los rumberos se fueron

and the dancers left

Música

Music

y el que baila el guaguangó

and the one who dances the guaguangó

Música

Music

en Bustero Mentiroso

in Lying Bustero

La rumba la traigo yo

I bring the rumba.

Música

Music

No, no, no, la rumba no se acabó

No, no, no, the party hasn't ended.

Ni el que baile el guaguanco, ni el que baile el guaguanco, mamá

Neither the one who dances the guaguancó, nor the one who dances the guaguancó, mama.

No, no, no, la rumba no se acabó

No, no, no, the party is not over.

Rumbero, rumbero, rumbero, rumbero, rumbero

Rumbero, rumbero, rumbero, rumbero, rumbero.

La rumba la traigo yo, mamá

I bring the rumba, mom.

No, no, no, la rumba no se acabó

No, no, no, the party isn't over.

No me engañes, no, no me engañes

Don't fool me, no, don't fool me.

La rumba la traigo yo, verá

I bring the rumba, you'll see.

No, no, no, la rumba la traigo yo

No, no, no, I'm bringing the party.

La rumba, la rumba se ha puesto dura

The rumba, the rumba has gotten tough.

La rumba la traigo yo, verá

I bring the rumba, you'll see.

No, no, no, la rumba no se acabó

No, no, no, the party isn't over.

Rumbero, rumbero, rumbero, bueno

Partygoer, partygoer, partygoer, good.

La rumba la traigo yo, mamá

I bring the rumba, mom.

No, no, no, la rumba no se acabó

No, no, no, the party is not over.

No, no, la rumba no se acabó

No, no, the party is not over.

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Joy Houston, un saxofonista de jazz y rhythm and blues que llegó a acompañar al propio Amos Milford, al que hemos escuchado antes, y a Big Joy Tarnel.

Joy Houston, a jazz and rhythm and blues saxophonist who came to accompany Amos Milford himself, whom we heard earlier, and Big Joy Tarnel.

En 1952 crea sus Rockets y ya en 1955 graba para RPM este Stiggy Boom, una canción que queremos dedicar a nuestro hermano Longino Pizarro, que sabemos que le gusta mucho Joy Houston.

In 1952 he creates his Rockets and by 1955 he records for RPM this Stiggy Boom, a song we want to dedicate to our brother Longino Pizarro, who we know likes Joy Houston very much.

Stiggy Boom, Stiggy Boom

If you don't care, I'm sorry baby Stiggy Boom

If you don't care, I'm sorry baby Stiggy Boom.

Either you share, my love, my baby Stiggy Boom

Either you share, my love, my baby Stiggy Boom.

I'm not unfair, it's either me or Stiggy Boom

No soy injusto, soy yo o Stiggy Boom.

If you don't care, I'm sorry baby Stiggy Boom

If you don't care, I'm sorry baby Stiggy Boom.

Stiggy Boom, Stiggy Boom

Stiggy Boom

Y cerramos este bloquecito dedicado al ritmo en blues con un artista que nos gusta especialmente, Henry Roy Lambert, conocido artísticamente como el profesor Longer, el profesor pelo largo, el profesor Melenas, un pianista y cantante de Nueva Orleans que mezcló con gran sabiduría los ritmos latinos como la rumba, el mambo, con el calipso, el jazz, el jazz, el jazz, el jazz, el jazz, el jazz, el jazz.

And we close this little block dedicated to the rhythm in blues with an artist we particularly like, Henry Roy Lambert, artistically known as Professor Longer, the long-haired professor, Professor Melenas, a pianist and singer from New Orleans who wisely blended Latin rhythms like rumba and mambo with calypso, jazz, jazz, jazz, jazz, jazz, jazz, jazz.

El ritmo en blues y el boogie con ese sabor de Nueva Orleans. Debutó discográficamente en 1949 para el sello Atlantic y hay que decir que aparte de su faceta musical que nos entusiasma, también nos vuelve loco su apariencia en todo momento. Hoy escuchamos Hey Little Girl, grabada para el sello Atlantic en 1949.

The rhythm in blues and the boogie with that New Orleans flavor. He made his recording debut in 1949 for the Atlantic label, and it must be said that besides his musical facet that excites us, his appearance at all times also drives us crazy. Today we listen to Hey Little Girl, recorded for the Atlantic label in 1949.

Hey little girl, who is that fine little girl over there by the door, man? She sure looks fine to me. What's her name? Look out, let me call her one time.

Hey little girl, who is that pretty little girl over there by the door, man? She sure looks nice to me. What's her name? Watch out, let me call her once.

Hey little girl, gee, you sure look fine.

Hey little girl, wow, you really look great.

The only thing I hate, oh baby, you're not mine.

Hey little girl, all's about her day.

Hey little girl, how was your day?

You know I'll come get you early, baby. Won't keep you out too late.

You know I'll come get you early, baby. I won't keep you out too late.

Say little girl, now how's about a kiss?

Say little girl, now how about a kiss?

Hey, hey little girl, how's about a kiss?

Hey, hey little girl, how about a kiss?

Well, if you don't kiss me, baby, you don't know what you're gonna miss.

Look what you're gonna miss, honey, listen.

Look what you're going to miss, honey, listen.

Hey little girl, gee, you sure look fine.

Hey little girl, wow, you sure look good.

Look what you're gonna miss, honey, you sure look fine.

Look at what you’re going to miss, honey, you really do look good.

Hey little girl, gee, you sure look fine.

Hey little girl, wow, you look really good.

el broche de oro a estas melodías pizarras caseras y veraniegas

the finishing touch to these homemade summer slate melodies

lo pone Irving Aaronson y sus comandantes

It states Irving Aaronson and his commanders.

Irving Aaronson un pianista y director que debutó con el sello Edison al frente de sus cruzados

Irving Aaronson, a pianist and conductor, debuted with the Edison label leading his Crusaders.

en 1926 ya ficha para el sello Victor y allí permanece hasta 1929

In 1926, he already signed with the Victor label and stayed there until 1929.

grabando maravillas como este Outside para el sello Victor

recording wonders like this Outside for the Victor label

Irving Aaronson y sus comandantes

Irving Aaronson and his commanders

Outside para el sello Victor

Outside for the Victor label

Outside we heard the thunder crash

Outside we heard the thunder crash.

She looked at me inside

Ella me miró por dentro.

Though she knew it wasn't right

Aunque sabía que no estaba bien.

She let me stay all night

Ella me dejó quedarme toda la noche.

Yes she did

Sí, lo hizo.

Outside

Fuera

Outside we heard the thunder crash

Outside we heard the thunder crash.

East side did she turn

Did she turn to the east side?

Throw and break us to the ground

Throw us down and break us to the ground.

She dangerous got us all

She dangerously got us all.

Yes she did

Sí, lo hizo.

Outside she saw us down the àndam

Outside she saw us down the path.

Outside the rain was pouring down

Outside, the rain was pouring down.

Outside the wind was howling round

Outside, the wind was howling around.

Outside we heard the thunder crash

Outside we heard the thunder crash.

Boom, boom, boom, peep, peep, peep, peep, peep, peep, boom, boom

Though she knew it wasn't right

Aunque ella sabía que no estaba bien.

She let me stay all night

Ella me dejó quedarme toda la noche.

Yeah, she did

Sí, lo hizo.

Did she, yeah

Outside

Yes, she did

Sí, ella lo hizo.

Outside

Fuera

Oh, judge

Oh, juez

Yes, sir, now

Yes, sir, now.

Oh, judge

Oh, juez

Oh, look out

Oh, mira afuera.

Oh, lady

Oh, señora

Oh, look out there, lady

Oh, mira allá afuera, señora.

Hasta aquí estas nuevas melodías pizarras sabatinas unificadas caseras

So far, these new unified homemade Saturday chalkboard melodies.

al micrófono aquí tan ricamente

to the microphone here so richly

desde su torredor

from his/her lookout tower

marciano pizarro y como siempre les decimos aquello tan bonito y tan hermoso de salud y pizarras

Martian Pizarro, and as we always say, that beautiful and lovely thing about health and slates.

and

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